these are great displays alicja and i see what you mean about how they all work together so that the whole is greater than the sum of the parts! Each one interacts with those around it in a sort of resonance, and each one both contributes to and gets something from all the others! Complex relationships! If only I could see them real, I am sure I would be swept away.
very very impressive. is that you sitting in front of one display?
yes, that used to be me many, many years ago ... now my kids have something of that expression, sometimes. Exhibitions: that was the great challenge, to place the sketches so they would not fight each other, and the rooms around them ... and I'm not shure at all i could get those puzzles right even part of the time; when I believed I did, people often told me it was to much to be appreciated, meaning probably the interferences stopped them singling sketches out - which was my point. I guess I tried to work it as a sort of nonlinear movies where You could decide the speed and the plots direction for yourself... That's what You do in a way on flickr now, by giving pics different tags and having them in possibly many collections at once - I haven't worked all that out yet, but the idea of throwing an element of chance in, by placing several loops of shows side by side on monitors with different speeds is tempting... I'm gathering courage to approach a big shop with second hand computers with the idea of doing it in the window - there's a whole row of them in a rather posh part of Copenhagen. If it works, why not do a show on Your australian shores? Or, come to think of it, they don't even have to be second hand at all - I'm getting ahead of myself, as usual. Thank You Adam for all the attention, You have no idea how much it means
sorry, Adam, I'm not expressing myself clearly: I mean showing Your pictures from Australia her in Copenhagen on such a computer display - it could be wonderfull, if only I can get one of those shops interrested - I think it is possible
yes, alicja, i do understand clearly what you describe, i love things like that, "combination-machines" that generate chance juxtapositions, how wonderful to be able to think of things like that, you are very creative and up with the modern technology.
Wouldn't it be wonderful to try something like that? You would have to be part of it maybe to alter the speed and synchronisations, or maybe an exciting thing to do would be to make the controls subject to some sort of feedback from the viewing audience, i wonder what the possibilities there are??
Have you the possibility to make such things happen? First one would have to work out how to make a stream of images at different speeds .... how do you do that?
I have been wondering how to do that, because someone here in a youth group wanted to use my images in some way to project behind the performers at a musical festival, but nothing came of it. These are the sort of possibilities that would excite me a lot, move from the static image to the combinations of images and change ... exciting!
Let me know if you have any developpment of these ideas ...
You can always email me directly at adamsown@exemail.com.au. email me
6 comments:
those were the days, my friend
these are great displays alicja and i see what you mean about how they all work together so that the whole is greater than the sum of the parts! Each one interacts with those around it in a sort of resonance, and each one both contributes to and gets something from all the others! Complex relationships! If only I could see them real, I am sure I would be swept away.
very very impressive. is that you sitting in front of one display?
adam
yes, that used to be me many, many years ago ... now my kids have something of that expression, sometimes.
Exhibitions: that was the great challenge, to place the sketches so they would not fight each other, and the rooms around them ... and I'm not shure at all i could get those puzzles right even part of the time; when I believed I did, people often told me it was to much to be appreciated, meaning probably the interferences stopped them singling sketches out - which was my point. I guess I tried to work it as a sort of nonlinear movies where You could decide the speed and the plots direction for yourself... That's what You do in a way on flickr now, by giving pics different tags and having them in possibly many collections at once - I haven't worked all that out yet, but the idea of throwing an element of chance in, by placing several loops of shows side by side on monitors with different speeds is tempting... I'm gathering courage to approach a big shop with second hand computers with the idea of doing it in the window - there's a whole row of them in a rather posh part of Copenhagen. If it works, why not do a show on Your australian shores? Or, come to think of it, they don't even have to be second hand at all -
I'm getting ahead of myself, as usual.
Thank You Adam for all the attention, You have no idea how much it means
sorry, Adam, I'm not expressing myself clearly: I mean showing Your pictures from Australia her in Copenhagen on such a computer display - it could be wonderfull, if only I can get one of those shops interrested - I think it is possible
yes, alicja, i do understand clearly what you describe, i love things like that, "combination-machines" that generate chance juxtapositions, how wonderful to be able to think of things like that, you are very creative and up with the modern technology.
Wouldn't it be wonderful to try something like that? You would have to be part of it maybe to alter the speed and synchronisations, or maybe an exciting thing to do would be to make the controls subject to some sort of feedback from the viewing audience, i wonder what the possibilities there are??
Have you the possibility to make such things happen? First one would have to work out how to make a stream of images at different speeds .... how do you do that?
I have been wondering how to do that, because someone here in a youth group wanted to use my images in some way to project behind the performers at a musical festival, but nothing came of it. These are the sort of possibilities that would excite me a lot, move from the static image to the combinations of images and change ... exciting!
Let me know if you have any developpment of these ideas ...
You can always email me directly at adamsown@exemail.com.au. email me
adam
says so much
but so simple
the only way
to convey
a thought
a fear
a tear
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